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1st September 2014

Photo reblogged from cavernedeplaton with 206 notes

Tagged: IndiaOldErotichomoerotic

Source: gustoman

1st September 2014

Photo reblogged from cavernedeplaton with 13 notes

fujitsubohime:

Picture Book : Plum of the Bedchamber (Toko no ume 艶本床の梅)Kitagawa Utamaro (喜多川歌麿)1800 Kansei Era6/12
A folding album in the ‘chuban’ format, employing a “red avoiding” (beni-girai) colour-scheme; the only example of this within Utamaro’s erotic ‘oeuvre’. The preface is by Sukitei, the erotic ‘nom de plume’ of the comic writer Shikitei Samba, who at the end makes reference to Utamaro as the artist, calling him by his erotic alias Mudamara (Waste Prick). Utamaro even makes an appearance as a character in the pornographic story that concludes the volume, where, significantly, the normal characters of his name are glossed with the pronunciation “Utamaru”. In addition, the Fukagawa prostitute in the third plate addresses her lumberman client as [Masadaya no] Zen-san, and also mentions another lumberman, Murataya no Sho-san. Hayashi Yoshikazu argues these are both slightly altered versions of the names of real-life acquaintances of Utamaro, who make regular appearances in his erotic works, along with the disguised personae of some of his publishers. Thus there is a lot more specific content to Utamaro’s ‘shunga’ than just entertainingly erotic pictures and stories.
The dating of the work relies on a remark made by the man in plate 5: “Oh! Oiwa, I fell for you when I saw you at the Musashiya at the time of the display of treasures at Mimeguri Shrine” (Kore Oiwa-bo Mimeguri no kaicho no toki Musashiya de mi-somete oita). This display of treasures (kaicho) at Mimeguri began on the 15th day of the second month, 1799 (see cat. nos. 328, 329), so the present work is thought to have been issued at the following New Year.

fujitsubohime:

Picture Book : Plum of the Bedchamber (Toko no ume 艶本床の梅)
Kitagawa Utamaro (喜多川歌麿)
1800 
Kansei Era
6/12

A folding album in the ‘chuban’ format, employing a “red avoiding” (beni-girai) colour-scheme; the only example of this within Utamaro’s erotic ‘oeuvre’. The preface is by Sukitei, the erotic ‘nom de plume’ of the comic writer Shikitei Samba, who at the end makes reference to Utamaro as the artist, calling him by his erotic alias Mudamara (Waste Prick).

Utamaro even makes an appearance as a character in the pornographic story that concludes the volume, where, significantly, the normal characters of his name are glossed with the pronunciation “Utamaru”. In addition, the Fukagawa prostitute in the third plate addresses her lumberman client as [Masadaya no] Zen-san, and also mentions another lumberman, Murataya no Sho-san. Hayashi Yoshikazu argues these are both slightly altered versions of the names of real-life acquaintances of Utamaro, who make regular appearances in his erotic works, along with the disguised personae of some of his publishers. Thus there is a lot more specific content to Utamaro’s ‘shunga’ than just entertainingly erotic pictures and stories.

The dating of the work relies on a remark made by the man in plate 5: “Oh! Oiwa, I fell for you when I saw you at the Musashiya at the time of the display of treasures at Mimeguri Shrine” (Kore Oiwa-bo Mimeguri no kaicho no toki Musashiya de mi-somete oita). This display of treasures (kaicho) at Mimeguri began on the 15th day of the second month, 1799 (see cat. nos. 328, 329), so the present work is thought to have been issued at the following New Year.

Tagged: JapanOldEroticshunga

Source: fujitsubohime

1st September 2014

Photo reblogged from Anna Éder with 90 notes

altcomics:

Two Winged Angels, Folio from a Manuscript of Al-Qazwini’s Ajaib Al-Makhluqat
India, Karnataka, Bijapur, circa 1570

altcomics:

Two Winged Angels, Folio from a Manuscript of Al-Qazwini’s Ajaib Al-Makhluqat

India, Karnataka, Bijapur, circa 1570

Tagged: IndiaOldErotic

Source: collections.lacma.org

30th August 2014

Photo reblogged from eroticism, art, photography, etc with 159 notes

lich-tung:

centuriespast:

Bhadrakali within the Rising SunIndia
Philadelphia Museum of Art

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lich-tung:

centuriespast:

Bhadrakali within the Rising Sun
India

Philadelphia Museum of Art

Tagged: IndiaOldErotichinduism

Source: centuriespast

30th August 2014

Photo reblogged from eroticism, art, photography, etc with 347 notes

mughalshit:

Idealized Portrait of Nur Jahan
India, Mughal, 18th century
Opaque watercolors and gold on paper

mughalshit:

Idealized Portrait of Nur Jahan

India, Mughal, 18th century

Opaque watercolors and gold on paper

Tagged: IndiaOldErotic

Source: mughalshit

30th August 2014

Photo reblogged from eroticism, art, photography, etc with 188 notes

Source: boner-witch

30th August 2014

Photo reblogged from antenna with 12 notes

Tagged: IndiaOldErotichinduism

30th August 2014

Photo reblogged from Sacred Pleasure with 20 notes

sacredpleasure:

I am Shiva, only thanks to Unity with Shakti. ~Guptasadhana-tantra

sacredpleasure:

I am Shiva, only thanks to Unity with Shakti. ~Guptasadhana-tantra

Tagged: IndiaOldErotichinduism

29th August 2014

Photo reblogged from ozilot with 27 notes

iseo58:

Utagawa Toyoharu, about 1780

iseo58:

Utagawa Toyoharu, about 1780

Tagged: JapanOldErotic

Source: iseo58

28th August 2014

Photo reblogged from MÁG EALGA with 753 notes

sisterwolf:

Demons Keuka Hagihara (Kyouka Hagihara)

sisterwolf:

Demons Keuka Hagihara (Kyouka Hagihara)

Tagged: JapanOldErotic

Source: sisterwolf